The platform’s own advertising guide documents four formats: image, video, carousel and collection. That is the entire list.

Almost everything else that gets called a format is a placement, an objective, or an automatic enhancement. Confusing those three with formats is why creative briefs on this platform go wrong, and why teams argue about which format to use when the real variable is where the ad will appear.

This page sets out the four, what actually changes between placements, one objective setting that removes your call to action, and the thirty automatic modifications that may be running on your account without you enabling them.

Four formats, and what separates them

The differences are structural, not stylistic.

Image. A single still. On the feed with an awareness objective, the specification is JPG or PNG, 4:5 ratio, 1440 by 1800 pixels, 30 MB maximum, minimum width 600 pixels and minimum height 750 at that ratio, with a 3% ratio tolerance.

Video. MP4, MOV or GIF, same 4:5 and 1440 by 1800 on that placement, up to 4 GB, from one second to 241 minutes. The technical requirements are specific: H.264 compression, square pixels, fixed frame rate, progressive scan, stereo AAC audio at 128 kbps or higher, and no edit lists or special boxes in the file container.

Carousel. Two to ten cards, each image or video, 1:1 ratio, at least 1080 by 1080. The text budget shrinks: 80 characters of primary text against 150 for image and video, a 20-character headline against 27, plus an 18-character description field the other formats do not have.

Collection. One cover asset plus three product images, requiring an instant experience as its destination. Its primary text runs to 125 characters and its headline to 40, the most generous of the four. It is also the only one of the four that does not support the app promotion objective.

What that list tells you. The choice between the four is mostly a choice about how much you can say and how many things you can show, not about how the ad performs. Nobody has published performance guidance separating them.

The four documented advertising formats compared on their text budgets and structural requirementsTable comparing the four advertising formats documented in the platform’s advertising guide, on the feed placement with the awareness objective selected, showing that the principal difference between them concerns how much text an advertiser can write and how many items can be shown rather than any measured difference in performance. The image format accepts JPG or PNG files up to thirty megabytes at a four by five aspect ratio and one thousand four hundred and forty by one thousand eight hundred pixel resolution, with a minimum width of six hundred pixels, a minimum height of seven hundred and fifty pixels at that ratio and a three percent ratio tolerance, and permits fifty to one hundred and fifty characters of primary text with a twenty-seven character headline. The video format accepts MP4, MOV or GIF files up to four gigabytes at the same ratio and resolution with durations from one second to two hundred and forty-one minutes, permits the same fifty to one hundred and fifty characters of primary text and twenty-seven character headline, and imposes specific technical requirements including H two six four compression, square pixels, a fixed frame rate, progressive scan, stereo advanced audio coding at one hundred and twenty-eight kilobits per second or higher, and no edit lists or special boxes in the file container. The carousel format accepts two to ten cards at a one by one ratio and at least one thousand and eighty by one thousand and eighty pixels, and reduces the text budget substantially to eighty characters of primary text and a twenty character headline while adding an eighteen character description field that the other formats do not have. The collection format requires one cover asset plus three product images, requires an instant experience as its destination, permits the most generous text of the four at one hundred and twenty-five characters of primary text and a forty character headline, and is the only one of the four that does not support the application promotion objective.The four formats, and how much you can sayFeed placement, awareness objective, as documented in the ads guide.FormatPrimary textHeadlineDescriptionStructureImage50-150 char27 charnoneOne still, 30 MB maxVideo50-150 char27 charnone1 s to 241 min, 4 GB maxCarousel80 char20 char18 char2 to 10 cards, 1:1Collection125 char40 charnoneCover + 3 productsCollection has two conditionsIt requires an instant experience, and it is theCarousel costs you wordsRoughly half the primary text of the others,only format without app promotion.in exchange for up to ten things to show.No published measurement separates these four on performance. The choice is about what you need to say.
The real difference between them is the text budget and the number of things you can show, not measured performance. Source : Platform ads guide, feed placement, awareness objective (2026)

The specs follow the placement, not the format

This is the part briefs get wrong, and it costs real money in reshoots.

Video in the feed. 4:5, 1440 by 1800, primary text 50 to 150 characters, headline 27.

Video in vertical reels. 9:16, 1440 by 2560, duration zero seconds to 15 minutes, and primary text capped at 44 characters. That is a third of the feed allowance, on the same format.

Video in stories. 9:16, 1440 by 2560, 125 characters of primary text, with duration limits that differ by surface: 1 to 3 minutes on one, up to 60 minutes on another.

Video in-stream. 16:9 or 1:1, at least 1080 by 1080, and a duration split by device: 5 to 15 seconds on desktop, 5 seconds to 10 minutes on mobile. One placement, two device contexts, a fortyfold difference in ceiling.

Rewarded video on the audience network. 9:16, 3 to 61 seconds.

What follows for production. Shoot the assets around the tightest constraint you intend to run, which for text is usually the 44-character reels field, and for framing is the vertical safe zone below.

Video advertisement specifications across five placements on one platformTable setting out the specifications applied to a single advertising format, video, across five different placements on the largest social advertising platform, demonstrating that requirements follow the placement rather than the format. In the feed placement, video requires a four by five aspect ratio at one thousand four hundred and forty by one thousand eight hundred pixels, permits fifty to one hundred and fifty characters of primary text and a headline of twenty-seven characters, and accepts durations from one second to two hundred and forty-one minutes. In the vertical reels placement, video requires a nine by sixteen aspect ratio at one thousand four hundred and forty by two thousand five hundred and sixty pixels, permits durations from zero seconds to fifteen minutes, and caps primary text at forty-four characters, which is roughly a third of the feed allowance for the same format. In the stories placement, video requires nine by sixteen at the same resolution, permits one hundred and twenty-five characters of primary text, and applies duration limits that differ by surface, from one to one hundred and eighty seconds on one and up to sixty minutes on another. In the in-stream placement, video requires either sixteen by nine or one by one at a minimum of one thousand and eighty by one thousand and eighty pixels, permits one hundred and twenty-five characters of primary text, and applies a duration limit split by device, five to fifteen seconds on desktop against five seconds to ten minutes on mobile, a fortyfold difference in ceiling within a single placement. In the rewarded video placement on the audience network, video requires nine by sixteen and a duration of three to sixty-one seconds. The production implication is to build assets around the tightest constraint the advertiser intends to run, which for text is normally the forty-four character reels field.Same format. Five placements. Five specifications.Video, awareness objective, as published in the ads guide.PlacementRatioResolutionDurationPrimary textFeed4:51440 x 18001 s to 241 min50-150 charVertical reels9:161440 x 25600 s to 15 min44 charStories9:161440 x 25601 s to 3 min125 charIn-stream, desktop16:9 or 1:11080 x 1080+5 to 15 s125 charIn-stream, mobile16:9 or 1:11080 x 1080+5 s to 10 min125 charRewarded video9:161080 x 1080+3 to 61 s125 charBuild to the tightest constraint you intend to run. Usually the 44-character reels field.
The specification follows the placement, not the format. The 44-character reels field is usually the binding constraint. Source : Platform ads guide, read directly (2026)

The objective that hides your call to action

This one is documented, easy to trigger, and almost never mentioned.

What the platform states. If you select awareness as your video objective, or select maximize reach, maximize 2-second continuous video views, maximize impressions or maximize post engagement as your performance goal, the ad footer will not be displayed on the feed on mobile devices.

What the footer contains. The headline, the description and the call-to-action button.

What that means in practice. Your ad runs on the placement where most of your delivery happens, without the button, without the headline and without the description. Everything you wrote in those fields is invisible.

Why it catches people. Nothing in the interface warns you at the point of setup. The creative preview may not reflect it either. You find out by looking at a live ad on a phone.

What to do about it. If you are running awareness or a reach-type performance goal, put the call to action inside the creative itself. Spoken, or on screen, or both. Do not rely on a field the platform has told you it will not render.

The wider lesson. On this platform, objective selection changes what the ad looks like, not only how it is delivered. Treat the objective as a creative decision.

The platform does not tell you which format to use

There is a widespread belief that certain formats belong to certain objectives. The platform has never said so.

What it publishes. A page identifying which placements and which formats are available for each objective. Its own framing is that placements appear if they are supported by the advertising interface for all advertisers.

The vocabulary throughout. Available. Supported. Never recommended, never suited, never best for.

Where it does turn prescriptive. At the level of placement, not objective. It advises different aspect ratios for different placements, and gives the example of using a vertical ratio in stories so the asset covers the whole mobile screen. It also notes that stories work well with short copy.

What that means for your brief. Any rule of the form “use carousel for consideration” came from an agency, a blog or a habit, not from the platform. It may still be right. It is not documented.

One dated note worth checking. The flexible ad format was available only for traffic, engagement, sales and app promotion objectives, and the platform announced its removal from ad setup from March 2026. That change has taken effect, so anything written about it in the present tense is out of date.

What the platform publishes about advertising formats by objective, and the guidance it does not publishDiagram distinguishing what the largest social advertising platform actually publishes about the relationship between advertising formats and campaign objectives from the guidance widely attributed to it. What the platform publishes is availability: a reference page identifying which advertising placements and which formats are available for each campaign objective, framed in the platform’s own words as placements appearing if they are supported by the advertising interface for all advertisers, using the vocabulary of availability and support consistently throughout and never the vocabulary of recommendation. The image, video and carousel formats support the awareness, traffic, engagement, leads, application promotion and sales objectives, while the collection format supports all of these except application promotion. What the platform does not publish is any statement of the form use format X for objective Y, so any such rule an advertiser has been given originated from an agency, a publication or a habit rather than from the platform, which does not make it wrong but does mean it is undocumented. The one area where the platform does turn prescriptive is at the level of placement rather than objective: it advises different aspect ratios for different placements, giving the example of using a vertical aspect ratio in stories so that the image or video covers the whole mobile screen, and notes that stories work well with short copy. A separate dated note records that the flexible advertisement format was available only for traffic, engagement, sales and application promotion objectives and that the platform announced its removal from advertisement setup from March two thousand and twenty-six, a change that has since taken effect, so any description of it written in the present tense is out of date.Availability is published. Recommendation is not.What the platform publishesWhich formats are AVAILABLE per objective.Image, video, carousel: awareness, traffic,engagement, leads, app promotion, sales.Collection: the same, minus app promotion.Its words: “are available”, “supported”.What it never publishes”Use format X for objective Y.”No page states it. No page implies it.Any such rule in your brief came from anagency, a blog, or a habit.It may be right. It is not documented.Where it does prescribe: the placement, not the objective”use a vertical aspect ratio for ads in Stories” so the asset covers the whole mobile screen.One dated item to check in anything you readThe flexible ad format was removed from ad setup from March 2026. That has already happened.
Availability, not recommendation. Any rule pairing a format with an objective came from somewhere else. Source : Platform placement and format documentation (2026)

Thirty automatic enhancements, some on by default

This is the part of the platform that most changes what your audience actually sees, and it is opt-out rather than opt-in.

What the system does. The platform states that when automatic creative is on, your images and videos are optimised to versions your audience is more likely to interact with, and that some enhancements may be turned on by default, though you can turn them off.

The sentence to read twice. The platform states that the media and text you upload may be adjusted to help improve performance while maintaining the core message of your campaign. Adjusted, by them, to your uploaded assets.

How many there are. Thirty distinct enhancements are listed, ranging from brightness and contrast adjustment and subtitle generation through to background generation, image generation, text generation and video effects. Roughly half are marked as using or potentially using generative models.

Flexible media, separately. A setting that lets the platform adjust aspect ratios to deliver your media across additional placements when it sees an opportunity to improve performance. In plain terms: your visual can be recropped and shown where you did not choose to run.

The disclosure attached. Images created or materially edited with certain generative features may carry AI information in the ad’s menu or an AI label beside the ad label.

Where it does not apply. The platform notes that certain verticals, including financial services and pharmaceutical or health, and ads relating to housing, employment or credit, social issues, elections or politics, plus certain countries, may not have immediate access to all generative features. If you sell into regulated categories, check what is available to you before assuming any of it is.

Categories of automatic creative enhancement applied by the platform and the conditions attachedDiagram summarising the automatic creative enhancement system on the largest social advertising platform and the conditions attached to it. The platform states that when automatic creative is enabled, uploaded images and videos are optimised to versions the audience is more likely to interact with, that some enhancements may be turned on by default although the advertiser can turn them off at any time, and critically that the media and text uploaded by the advertiser may be adjusted to help improve advertisement performance while maintaining the core message of the campaign. Thirty distinct enhancements are listed, which fall into four broad groups. Presentation adjustments include brightness and contrast adjustment, visual touch-ups, video touch-ups, dynamic overlays, added overlays, added animation and video effects. Text adjustments include text generation, text improvements, enhanced media text, dynamic description, translations, video subtitles and enhanced call to action. Layout and commerce additions include added detail to advertisement layout, product browsing, product tags, carousel card highlighting, store locations, spotlights, summaries, a profile end card, relevant comments and progressive detail reveal. Generative additions include background generation, image generation and added music. Roughly half of the thirty are marked as using or potentially using generative models. A separate setting called flexible media permits the platform to adjust aspect ratios in order to deliver the creative across additional placements when it identifies an opportunity to improve campaign performance, which in practice means an advertiser’s visual may be recropped and shown in placements the advertiser did not select. Images created or materially edited using certain generative features may carry artificial intelligence information within the advertisement menu or an artificial intelligence label beside the advertisement label. Certain verticals including financial services and pharmaceutical or health, advertisements relating to housing, employment or credit, and advertisements relating to social issues, elections or politics, along with certain countries, may not have immediate access to all generative features.Thirty enhancements. Some on unless you switch them off.The platform’s own sentence, worth reading twice:“The media and text that you upload may be adjusted to help improve ad performance.”PresentationBrightness and contrastVisual and video touch-upsOverlays, animationVideo effectsTextText generationText improvementsTranslations, subtitlesEnhanced call to actionLayout and commerceProduct tags and browsingStore locationsProfile end cardRelevant commentsGenerativeBackground generationImage generationAdded music~half the 30 are marked AIFlexible media, a separate settingLets the platform adjust aspect ratios to deliveracross additional placements. Your visual can berecropped and run where you did not choose.Not available everywhereFinancial services, pharma and health, housing,employment and credit, social and political ads,and certain countries. Check before assuming.What to do about itOpen the creative settings on a live campaign and read what is enabled. Then look at a deliveredad on a phone rather than in the preview. Those two checks take ten minutes and are the only wayto know what your audience is actually seeing.
The platform's own wording: the media and text you upload may be adjusted. Some of it is on unless you turn it off. Source : Platform automatic creative documentation (2026)

The vertical safe zones, and what reels refuses

Two sets of constraints on the vertical placements that are easy to breach and expensive to fix late.

The safe zone. The platform advises leaving at least 14% of the top, 35% of the bottom and 6% of each side free of text, logos and other important creative elements, so nothing is cropped, covered by the profile icon or call-to-action, or pushed too close to the edge on taller screens.

What 35% at the bottom means in practice. On a 2560-pixel-tall asset, roughly the bottom 900 pixels are unusable for anything that must be read. That is more than a third of the frame.

What reels ads will not accept. Reels published before 15 October 2021. Licensed music. Media carrying a face or camera effect. Media containing a GIF. Media with product tags.

Why the music restriction bites hardest. Teams routinely cut a reels ad to a track from the organic library and discover at upload that the ad version cannot use it. Source your audio for advertising rights from the start.

And the practical consequence of the safe zone. Design for the middle half of the frame. Everything above 14% and below 65% of the height is the only region you can rely on.

A note on where the vertical constraint spreads. Once flexible media is enabled, an asset built for the feed can be delivered vertically. If you have not respected the safe zone, that is where it will show.

What to check on your own account this week

Six checks, each of which takes minutes and each of which has caught something real.

Look at a live ad on a phone. Not in the preview. The preview does not reliably reflect the footer suppression or the automatic enhancements.

Check whether your objective is hiding the footer. If you are on awareness, or a reach or impressions performance goal, assume the headline, description and button are not showing on mobile feed.

Open the automatic creative settings. Note which of the thirty enhancements are enabled, particularly the generative ones and flexible media. Some will be on that you did not enable.

Count your primary text against 44 characters. If reels is in your placements, that is your real limit whatever the feed allows.

Overlay the safe zones on your vertical assets. 14% top, 35% bottom, 6% each side. Anything important outside that region is at risk.

Check your audio rights. If the ad is going to reels, licensed music from the organic library is not available to you.

Vertical advertising safe zone proportions and the usable region of the frameDiagram showing the safe zone proportions the platform advises for vertical advertising placements and the resulting usable region of the frame. The platform advises leaving at least fourteen percent of the top, thirty-five percent of the bottom and six percent of each side free from text, logos and other important creative elements, so that key parts of the design are not cropped, covered by the profile icon or call-to-action button, or placed too close to the edges of devices with screens taller than a nine by sixteen aspect ratio. On an asset two thousand five hundred and sixty pixels tall, thirty-five percent at the bottom corresponds to roughly the lowest nine hundred pixels being unusable for anything that must be read, which is more than a third of the frame. The reliable region therefore lies between fourteen percent and sixty-five percent of the frame height, which is approximately the middle half of the image. Separately, advertisements in the vertical reels placement will not accept content published before the fifteenth of October two thousand and twenty-one, licensed music, media carrying a face or camera effect, media containing an animated image, or media with product tags. The music restriction is the one that most commonly causes problems, because teams routinely cut an advertisement to a track drawn from the organic music library and discover at upload that the advertising version cannot use it, so advertising audio rights should be secured from the start of production. The constraint also spreads: once the flexible media setting is enabled, an asset built for the feed placement can be delivered vertically, so an asset that does not respect the safe zone will eventually be shown in the placement where the safe zone applies.The vertical safe zone, to scale14% top35% bottomUsableWhat that leaves youRoughly the middle half of the frame, between14% and 65% of the height.On a 2560 px asset, the lowest ~900 px cannothold anything that must be read.What reels ads will not acceptContent published before 15 October 2021Licensed musicMedia with a face or camera effectMedia with a GIF, or with product tagsThe music restriction is the one that bites late.Source advertising audio rights from the start, not at upload.With flexible media on, a feed asset can be delivered vertically. The safe zone will catch it eventually.
Fourteen percent off the top, thirty-five off the bottom. That leaves roughly the middle half of the frame. Source : Platform reels advertising specifications (2026)

Where to go next

You want the account structure around all this. Meta ads account structure.

You are weighing the automatic campaign type. Meta Advantage+.

You are choosing between video and static. Video or static ads.

You want to know what a view actually counts. Hold rate and video metrics.

You are deciding how long the ad should be. Video ad length.

You are choosing between platforms. Meta Ads or Google Ads for B2B.

In short

  • Four documented formats: image, video, carousel, collection. Everything else you hear called a format is a placement, an objective or an enhancement.
  • Collection is the odd one out: it requires an instant experience destination and is the only format that does not support app promotion.
  • The specs follow the placement. The same video format wants 50 to 150 characters in the feed and caps at 44 in vertical reels.
  • One placement splits by device: in-stream allows 5 to 15 seconds on desktop and 5 seconds to 10 minutes on mobile.
  • Awareness hides your call to action. With that objective, or reach and impression performance goals, the headline, description and button are not displayed on mobile feed.
  • The platform never says which format suits which objective. It publishes availability, in the vocabulary of support. Any pairing rule you have came from elsewhere.
  • Thirty automatic enhancements exist and some are on by default, with the platform stating that the media and text you upload may be adjusted.
  • The vertical safe zone costs you half the frame: 14% off the top, 35% off the bottom, 6% each side.

Look at a live ad on a phone this week, and read your creative settings. Book a diagnostic, or see how we approach B2B paid acquisition.